Lynch, Haneke, Varda, Mamet & More Coming to The Criterion Collection in May 2019
This May, the Criterion Collection will present Agnès Varda’s poignant feminist musical One Sings, the Other Doesn’t, making its debut on DVD and Blu-ray just in time for the beloved director’s ninety-first birthday. Olivia de Havilland gives a heartbreaking, Oscar-winning performance opposite Montgomery Clift in William Wyler’s psychologically piercing period drama The Heiress, appearing on Blu-ray for the first time. David Lynch’s career-defining masterpiece Blue Velvet will join the Collection in an edition featuring a new 4K restoration and “Blue Velvet” Revisited, a feature-length documentary on the making of the film. The radiant Juliette Binoche plays a woman searching for love in Claire Denis’s richly observed Let the Sunshine In, hailed upon its U.S. release as one of the best films of 2018. Michael Haneke’s notorious Funny Games, a home-invasion nightmare that serves up a disquieting treatise on the nature of screen violence, will appear in a new 2K restoration. And that’s not all: David Mamet’s directorial debut, House of Games, a twisty thriller that revels in the art of the con, will appear on Blu-ray for the first time.
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The Heiress
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Available May 7, 2019
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House of Games
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The Pulitzer Prize-winning playwright and screenwriter David Mamet sat in the director’s chair for the first time for this sly, merciless thriller. Lindsay Crouse stars as a best-selling author and therapist who wants to help a client by making restitution for the money he owes to a gambler. After she meets the attractive cardsharp (Joe Mantegna), her own compulsions take hold as he lures her into his world of high-stakes deception. Packed with razor-sharp dialogue delivered with even-keeled precision by a cast of Mamet regulars, House of Games is as psychologically acute as it is full of twists and turns, a rich character study told with the cold calculation of a career con artist targeting his next mark.
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Available May 14, 2019
Funny Games
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Michael Haneke’s most notorious provocation, Funny Games spares no detail in its depiction of the agony of a bourgeois family held captive at their vacation home by a pair of white-gloved young men. In a series of escalating “games,” the sadistic duo subject their victims to unspeakable physical and psychological torture over the course of a night. A home-invasion thriller in which the genre’s threat of bloodshed is made stomach-churningly real, the film ratchets up shocks even as its executioners interrupt the action to address the audience, drawing queasy attention to the way that cinema milks pleasure from pain and stokes our appetite for atrocity. With this controversial treatise on violence and entertainment, Haneke issued a summation of his cinematic philosophy, implicating his audience in a spectacle of unbearable cruelty.
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Available May 14, 2019
Let the Sunshine In
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Two luminaries of French cinema, Claire Denis and Juliette Binoche, unite for the first time in this piercing look at the elusive nature of true love, and the extent to which we are willing to betray ourselves in its pursuit. In a richly layered performance, Binoche plays Isabelle, a successful painter in Paris whose apparent independence belies what she desires most: real romantic fulfillment. Isabelle reveals deep wells of yearning, vulnerability, and resilience as she tumbles into relationships with all the wrong men. Shot in burnished tones by Denis’s longtime collaborator Agnès Godard and featuring a mischievous appearance by Gérard Depardieu, Let the Sunshine In finds bleak humor in a cutting truth: we are all, no matter our age, fools for love.
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Available May 21, 2019
One Sings, the Other Doesn’t
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In the early 1960s in Paris, two young women become friends. Pomme is an aspiring singer. Suzanne is a pregnant country girl unable to support a third child. Pomme lends Suzanne the money for an illegal abortion, but a sudden tragedy soon separates them. Over a decade later, they reunite at a demonstration and pledge to keep in touch via postcard, as each of their lives is irrevocably changed by the women’s liberation movement. A buoyant hymn to sisterly solidarity rooted in the hard-won victories of a generation of women, One Sings, the Other Doesn’t is one of Agnès Varda’s warmest and most politically trenchant films, a feminist musical for the ages.
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Available May 28, 2019
Blue Velvet
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Home from college, Jeffrey Beaumont (Kyle MacLachlan) makes an unsettling discovery: a severed human ear, lying in a field. In the mystery that follows, by turns terrifying and darkly funny, David Lynch burrows deep beneath the picturesque surfaces of small-town life. Driven to investigate, Jeffrey finds himself drawing closer to his fellow amateur sleuth, Sandy Williams (Laura Dern), as well as their prime suspect, lounge singer Dorothy Vallens (Isabella Rossellini)-and facing the fury of Frank Booth (Dennis Hopper), a psychopath who will stop at nothing to keep Dorothy in his grasp. With intense performances and hauntingly powerful scenes and images, Blue Velvet is an unforgettable vision of innocence lost, and one of the most influential American films of the past few decades.