Quantcast

Shaman (Movie Review)

Image 5 (Poster – small): Alternate smaller poster for Shaman (2025) with the same scorpion-mouth design and tagline “Your God is not enough.”

This Shaman movie review looks at a supernatural thriller set deep in rural Ecuador, where a missionary family finds their faith tested by forces older than their religion. When their young son returns from a forbidden cave with something dark attached to him, questions of belief, fear, and survival rise to the surface. The film pits Catholic exorcism against indigenous shamanic tradition, aiming to explore culture and horror in equal measure. While the setup holds plenty of promise, the execution leaves a lot to be desired.

Image 1: Sara Canning’s character stares anxiously into a mirror in Shaman (2025), her reflection emphasizing the film’s psychological tension.

Shaman sets up an intriguing conflict: a missionary family in rural Ecuador trying to spread their faith while facing forces far older than their religion. The premise promises cultural tension, supernatural menace, and a setting ripe for atmosphere. Yet despite its potential, the film struggles to deliver a compelling horror story.

One of the strongest aspects of Shaman is its sense of place. The rural locations, production design, and use of indigenous people as secondary characters and extras give the story a much-needed sense of authenticity. The setting feels lived-in, and there’s weight to the cultural clash at the film’s core. Yet the possession storyline, centered on the missionaries’ son, never convinces. His supposed transformation lacks urgency, and the scares feel familiar rather than frightening. This Shaman movie review finds the film more compelling when exploring cultural drama than when leaning on its supernatural elements.

Image 2: A shaman performs a ritual by firelight while the missionary’s son watches in Shaman (2025), highlighting the clash between indigenous tradition and outside faith.

Unfortunately, the supernatural elements never match the strength of the backdrop. The possession storyline, centered on the missionaries’ young son, lacks urgency or fear. Scenes meant to disturb come off flat, and the supposed demonic presence feels neither threatening nor convincing. The real terror should have been the boy’s transformation, but instead it plays like a standard genre beat we’ve seen before.

What’s more compelling is the human side of the story. Watching the missionaries navigate their role in converting a community, and the hypocrisy in their own marriage, has more bite than the horror. An early bedroom scene between the couple, kinkier than one might expect, lands sharper than any of the possession sequences. It recalls that old saying: puritans in public, perverts in private. Those moments expose the tension between faith, power, and desire in ways the supernatural subplot never quite achieves.

Image 3: A close-up of a fearful eye peering through a hole in the darkness from Shaman (2025), evoking paranoia and dread.

By the end, Shaman feels like a film at war with itself. Its authenticity of place and cultural themes suggest it could have been a powerful drama about faith and colonial tension. Instead, it leans on horror tropes that don’t scare, a possession arc that never convinces, and performances that can’t elevate the material. For viewers seeking a fresh supernatural story, this one may disappoint.

 

 

                                   

 

Shaman, is available now via Digital HD from Well Go USA Entertainment.

Shaman hits Blu-ray and DVD exclusively through Amazon on October 7, 2025.

 

Paid Advertising Link

 

 

Image 4 (Poster – large): Official poster for Shaman (2025) featuring the tagline “Your God is not enough” and an image of a scorpion-like creature crawling from a victim’s mouth.

Share

Gerard Iribe is a writer/reviewer for Why So Blu?. He has also reviewed for other sites like DVD Talk, Project-Blu, and CHUD, but Why So Blu? is where the heart is. You can follow his incoherency on Twitter: @giribe

  1. No Comments