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The Beast To Die (Blu-ray Review)

Stylized title card for The Beast To Die featuring a dramatic image of a man holding a limp woman in a red dress. The Japanese title is rendered above the English one in bold gold text.Tokyo never sleeps in The Beast To Die on Blu-ray, but it sure bleeds. Equal parts nihilistic crime thriller and psychological time bomb, this 1980 Japanese gem drops you into the fractured mind of a war-scarred photographer with a death wish and a loaded gun. Directed by Toru Murakawa and led by the magnetic Yusaku Matsuda in full burnout mode, this isn’t just a farewell to a persona, it’s a detonation. Now, thanks to Radiance Films, The Beast To Die Blu-ray makes its long-overdue debut, remastered and ready to punch a fresh hole in your shelf.

 

Bold Japanese title card in cream-colored text splashed across a darkened city street. A lone figure walks toward the camera in silhouette beneath glowing streetlights.

Film  

Tokyo doesn’t just shimmer in The Beast To Die. It stalks. Neon lights bounce off wet pavement, and something always feels a little off. Yusaku Matsuda plays a war photographer haunted by things he saw, and maybe did, on battlefields across Asia. Now he’s back in Japan with a thousand-yard stare and a plan: rob, kill, repeat. Director Toru Murakawa keeps things sharp and icy, with just enough Dutch angles to knock you off balance without turning it into full-blown expressionism. It’s noir, but meaner.

There’s not much hope in this story. Matsuda’s character doesn’t spiral, he marches toward oblivion like it’s the only thing left that makes sense. He finds a partner in Tetsuo (Takeshi Kaga), a twitchy wildcard with just as much rage boiling underneath. Together, they leave a trail of bodies behind them. The robberies are brutal. The shootouts are fast. No slow-mo, no slick choreography. Just two men burning what’s left of their humanity.

What makes this one linger is the mood. The silences. The way characters stare at each other like they’ve already read the last page. The city feels cold even when it’s bright. There’s a love story buried in here too, but it’s quiet and cracked. Nobody really connects. Not for long. And while it never goes full German Expressionist, the framing leans into unease. Mirrors slice the frame. Angles tilt just enough to whisper that the world’s gone crooked.

This was Matsuda’s break-up letter to the 1970s action hero image. And it’s brutal. He plays it like a man already halfway dead, but still dangerous. The violence isn’t cool, it’s sad. By the end, there’s no big lesson, no justice. Just cold steel and a face you’ll keep thinking about after the credits roll.

 

Close-up of Yusaku Matsuda in a navy suit and checkered shirt, looking down pensively. He stands near a window, flanked by indistinct silver sculptures.

Video 

NOTE: Stills are provided for promotional use only and are not from the Blu-ray.

Encoding: MPEG-4 AVC

Resolution: 1080p

Aspect Ratio: 1.85:1

Region: A, B

HDR: N/A

Layers: BD-50

Clarity and Detail: Sourced from a 4K transfer by Kadokawa Corporation and delivered as a high-definition file to Radiance Films, this disc looks excellent. Texture is razor sharp without over-sharpening, and fine details, like cigarette smoke curling in dim light or texture on a suit lapel, come through clean.

Depth: Strong sense of dimensionality throughout. Characters often feel detached from their environment in a way that enhances the film’s emotional chill. There’s solid depth in wide shots, particularly in scenes staged with foreground objects or reflective surfaces.

Black Levels: Black levels run deep and inky, perfect for a film drenched in shadows and long nights. There’s no crushing worth mentioning, and the final act, set mostly in the dark, retains shape and separation where it counts.

Color:
Muted and deliberate, the palette leans into gray, blue, and blood red tones without ever feeling flat. Color grading appears faithful to the source with no digital overcorrection.

Flesh Tones: Natural but cold. Faces often carry a pale, underlit quality that suits the film’s mood. No issues with waxiness or pushy grading.

Noise and Artifacts: Clean. No digital noise or compression issues. Grain is present and consistent, giving the transfer a cinematic texture. The only noise and graininess appears in the final scene, and that’s by design, not flaw.

Two silhouetted figures square off under a rain-drenched streetlamp in a forested alley. Heavy shadows and cool blue-green lighting create a moody, noir atmosphere.

Audio 

Audio Format(s):  Japanese LPCM 2.0

Subtitles: English

Dynamics: Dialogue, score, and sound effects all breathe well in this uncompressed stereo track. Gunshots pop, footsteps echo with tension, and the jazzy, moody score glides between scenes without ever overwhelming them.

Height: N/A

Low Frequency Extension: N/A

Surround Sound: N/A

Dialogue: Crisp and clean. Even when characters are whispering or mumbling through clenched teeth, the track maintains clarity. No syncing issues or muffling to speak of.

A close-up of a smiling woman with long brown hair, softly lit. She wears a white coat and looks just off-camera, suggesting an emotional exchange.

Extras 

Radiance Films delivers a focused but thoughtful slate of extras for The Beast To Die. New interviews with director Toru Murakawa and screenwriter Shoichi Maruyama provide sharp insight into the film’s icy tone and troubled lead, while Jordan Harper’s critical appreciation adds a Western lens without feeling out of place. The improved English subtitles are a quiet but welcome upgrade, and while the bonus content isn’t deep-dive territory, it avoids fluff. Packaging is top-tier: reversible artwork by Time Tomorrow, a limited edition booklet featuring new writing by Tatsuya Masuto, and a removable OBI strip on full-height Scanavo casing. Capped at 3,000 copies, this release doesn’t overpromise, but collectors will find real value in the curation.

Bonus Materials

  • 4K Restoration by Kadokawa
  • Original uncompressed PCM mono audio
  • Interview with Toru Murakawa (2025)
  • Interview with Shoichi Maruyama (2025)
  • Critical appreciation from novelist and screenwriter Jordan Harper (2025)
  • Newly improved English subtitle translation
  • Reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow
  • Limited edition booklet featuring new writing by Tatsuya Masuto
  • Limited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings

 

A violent standoff in a red-lit nightclub. Three men lie or crouch among overturned chairs and poker tables. A gun is drawn. Chaos has just erupted.

Summary 

If you’re craving a cold-blooded noir that doesn’t flinch, The Beast To Die Blu-ray is worth every shadow it casts. Radiance Films brings the heat with a crisp 4K-sourced transfer, strong audio, and just enough extras to keep the mood lingering after the credits roll. From the limited-edition packaging to the newly improved subtitles, The Beast To Die Blu-ray feels like a proper resurrection for a long-overlooked thriller. Fans of Yusaku Matsuda or bleak Japanese crime cinema shouldn’t hesitate, snag The Beast To Die Blu-ray before this limited run fades into the night.

Looking for more releases like The Beast To Die Blu-ray? Check out our full coverage of Radiance Films titles here.

 

 

 

The Beast To Die is available on Blu-ray from Radiance Films!

ORDER NOW!

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Front cover of Radiance Films’ Blu-ray edition of The Beast To Die, showing a man in black holding a woman in a red dress. Gold side strip highlights the film's English-subtitled premiere and special features.

 

A voyeuristic Blu-ray cover for The Beast To Die shows Yusaku Matsuda seated at a table, sipping a drink and holding a cigarette. His image is framed in a tall mirror, while the blurred silhouette of a nude woman in the foreground suggests he’s being watched from bed. The scene evokes tension, detachment, and psychological unease.

Reversible Blu-ray sleeve art for The Beast To Die, showcasing a grainy close-up of Yusaku Matsuda in sunglasses, with the barrel of a revolver and purple Japanese title text dominating the top half.

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Gerard Iribe is a writer/reviewer for Why So Blu?. He has also reviewed for other sites like DVD Talk, Project-Blu, and CHUD, but Why So Blu? is where the heart is. You can follow his incoherency on Twitter: @giribe

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