Brooks, Bresson and More Coming to The Criterion Collection July 2017

This July, Criterion will travel to the Zone with Andrei Tarkovsky’s hypnotic, philosophical sci-fi masterpiece Stalker-making its U.S. Blu-ray debut in a new 2K restoration, with special features that explore this endlessly mysterious film’s production and significance, including interviews with the crew as well as a new conversation with author Geoff Dyer. Albert Brooks and Julie Hagerty drop out of society and hit the road in Lost in America, a hilarious satire of yuppie dreams and delusions written and directed by Brooks, featuring new interviews with the cast and crew. Robert Bresson presents a world stripped of illusion in his final film, L’argent, an unsparing tale of crime and corruption adapted from a Tolstoy novella, on Blu-ray for the first time in a new, restored 4K digital transfer. And there’s more: the neorealist landmarks of Roberto Rossellini’s War Trilogy-intensely humane portraits of resistance, mourning, and hope filmed in the rubble of the Second World War-will arrive on Blu-ray in new restorations.


Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II – Rome Open City, Paisan, and Germany Year Zero – that he left his first transformative mark on cinema. With their stripped-down aesthetic, largely nonprofessional casts, and unorthodox approaches to storytelling, these intensely emotional works were international sensations and came to define the neorealist movement. Shot in battle-ravaged Italy and Germany, these three films are some of our most lasting, humane documents of devastated postwar Europe, containing universal images of both tragedy and hope.
* New high-definition digital restorations, with uncompressed monaural
* Introductions by Roberto Rossellini to all three films
* Interviews from 2009 with Rossellini scholar Adriano Aprà, film critic and Rossellini friend Father Virgilio Fantuzzi, and filmmakers Paolo and Vittorio Taviani
* Audio commentary from 2009 on Rome Open City
by film scholar Peter Bondanella
Once Upon a Time . . . “Rome Open City,” a 2006 documentary on the making of this historic film, featuring rare archival material and footage of Anna Magnani, Federico Fellini, Ingrid Bergman, and many others
Rossellini and the City, a 2009 video essay by film scholar Mark Shiel on Rossellini’s use of the urban landscape in The War Trilogy
* Excerpts from rarely seen videotaped discussions Rossellini had in 1970 about his craft with faculty and students at Rice University
Into the Future, a 2009 video essay about The War Trilogy by film scholar Tag Gallagher
Roberto Rossellini, a 2001 documentary by Carlo Lizzani, assistant director on
Germany Year Zero, tracing Rossellini’s career through archival footage and interviews with family members and collaborators, with tributes by filmmakers François Truffaut and Martin Scorsese
Letters from the Front: Carlo Lizzani on “Germany Year Zero,” a podium discussion with Lizzani from the 1987 Tutto Rossellini conference
* Italian credits and prologue from Germany Year Zero
* PLUS: Essays by James Quandt, Irene Bignardi, Colin McCabe, and
 Jonathan Rosenbaum


This was Roberto Rossellini’s revelation, a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. Though told with more melodramatic flair than the other films that would form this trilogy and starring some well-known actors – Aldo Fabrizi as a priest helping the partisan cause and Anna Magnani in her breakthrough role as the fiancée of a resistance member – Rome Open City (Roma città aperta) is a shockingly authentic experience, conceived and directed amid the ruin of World War II, with immediacy in every frame. Marking a watershed moment in Italian cinema, this galvanic work garnered awards around the globe and left the beginnings of a new film movement in its wake.
1945 * 103 minutes * Black & white * Monaural * In Italian and German with English subtitles * 1.37:1 aspect ratio


Roberto Rossellini’s follow-up to his breakout Rome Open City was the ambitious, enormously moving Paisan (Paisà), which consists of six episodes set during the liberation of Italy at the end of World War II, and taking place across the country, from Sicily to the northern Po Valley. With its documentary-like visuals and its intermingled cast of actors and nonprofessionals, Italians and their American liberators, this look at the struggles of different cultures to communicate and of people to live their everyday lives in extreme circumstances is equal parts charming sentiment and vivid reality. A long-missing treasure of Italian cinema, Paisan is available here in its full original release version.
1946 * 126 minutes * Black & white * Monaural * In Italian with English subtitles * 1.37:1 aspect ratio


The concluding chapter of Roberto Rossellini’s War Trilogy is the most devastating, a portrait of an obliterated Berlin, seen through the eyes of a twelve-year-old boy. Living in a bombed-out apartment building with his sick father and two older siblings, young Edmund is mostly left to wander unsupervised, getting ensnared in the black-market schemes of a group of teenagers and coming under the nefarious influence of a Nazi-sympathizing ex-teacher. Germany Year Zero (Deutschland im Jahre Null) is a daring, gut-wrenching look at the consequences of fascism, for society and the individual.
1948 * 73 minutes * Black & white * Monaural * In German with English subtitles * 1.33:1 aspect ratio

Available July 11, 2017



In his ruthlessly clear-eyed final film, French master Robert Bresson pushed his unique blend of spiritual rumination and formal rigor to a new level of astringency. Transposing a Tolstoy novella to contemporary Paris, L’argent follows a counterfeit bill as it originates as a prop in a schoolboy prank, then circulates like a virus among the corrupt and the virtuous alike before landing with a young truck driver and leading him to incarceration and violence. With brutal economy, Bresson constructs his unforgiving vision of original sin out of starkly perceived details, rooting his characters in a dehumanizing material world that withholds any hope of transcendence.
1983 * 84 minutes * Color * Monaural * In French with English subtitles * 1.66:1 aspect ratio
* New, restored 4K digital transfer, with uncompressed monaural soundtrack on the Blu-ray
* Press conference from the 1983 Cannes Film Festival
“L’argent,” A to Z, a new video essay by film scholar James Quandt
* Trailer
* New English subtitle translation
* PLUS: An essay by critic Adrian Martin and a newly expanded 1983
 interview with director Robert Bresson by critic Michel Ciment

Available July 11, 2017



Andrei Tarkovsky’s final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide-the Stalker-leads a writer and a scientist into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself-Stalker envelops the viewer by opening up a multitude of possible meanings.
1979 * 161 minutes * Color * Monaural * In Russian with English subtitles * 1.37:1 aspect ratio
* New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
* New interview with Geoff Dyer, author of Zona: A Book About a Film About a Journey to a Room
* Interview from 2002 with cinematographer Alexander Knyazhinsky
* Interview from 2002 with set designer Rashit Safiullin
* Interview from 2002 with composer Eduard Artemyev
* New English subtitle translation
* More!
* PLUS: An essay by critic Mark Le Fanu

Available July 18, 2017



In this hysterical satire of Reagan-era values, written and directed by Albert Brooks, a successful Los Angeles advertising executive (Brooks) and his wife (Julie Hagerty) decide to quit their jobs, buy a Winnebago, and follow their Easy Rider fantasies of freedom and the open road. When a stop in Las Vegas nearly derails their plans, they’re forced to come to terms with their own limitations and those of the American dream. Brooks’s barbed wit and confident direction drive
Lost in America, a high point in the string of restless comedies about insecure characters searching for satisfaction in the modern world that established his unique comic voice and transformed the art of observational humor.
1985 * 91 minutes * Color * Monaural * 1.85:1 aspect ratio
* New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
* New conversation with director Albert Brooks and filmmaker Robert Weide
* New interviews with actor Julie Hagerty, executive producer Herb Nanas, and comic writer and director James L. Brooks
* Trailer
* PLUS: An essay by critic Scott Tobias

Available July 25, 2017





Writer/Reviewer, Film Lover, Podcaster, Gamer, Comic Reader, Disc Golfer & a Lefty. There are too many films, TV, books, etc. for me to list as favorites, but I can assure that the amount film knowledge within my noggin is ridiculous, though I am always open to learning more. You can follow me on Twitter @AaronsPS4, see what else I am up to at TheCodeIsZeek.com & check out my podcast, Out Now with Aaron and Abe, on iTunes.

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