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Tag Archive for 'Sandy Dennis'

‘976-Evil’ on Blu-ray October 19, 2020!

Director Robert Englund (the iconic Freddy Krueger from the Nightmare on Elm Street series) dials up a gothic tale of high-tech horror in 976-EVIL. High school underdog Hoax (Stephen Geoffreys – Fright Night) fills up the idle hours in his seedy little hometown fending off the local leather-jacketed thugs, avoiding his overbearing mother (Sandy Dennis) and dreaming of a date with trailer […]

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‘Come Back To The 5 & Dime, Jimmy Dean, Jimmy Dean’ [Eureka! Masters of Cinema] on Blu-ray & DVD July 22, 2019!

Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean is one of the wonderful highlights of an under-appreciated chapter of director Robert Altman’s career. Between the box office disappointment of Popeye (1980) and the explosive comeback of The Player (1992), Altman returned to lower-budgeted, independent filmmaking, often boldly experimenting with how theatre work […]

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976-Evil (Blu-ray Review)

Coming out of nowhere and as a complete welcome surprise of Sony announcing the release of vintage 80s horror classic, 976-Evil.  Its super notable as the film marks the directorial debut of fright icon and Freddy Krueger himself, Robert Englund. The movie dialed itself up a sequel a couple of years later (Your move now, […]

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Vestron Horror Classics PARENTS & THE LAIR OF THE WHITE WORM Arrive on Blu-ray January 31st!

After taking December off, Vestron Video is getting back to work in January.  The first 2017 releases from the hot new cult release label with be the horror comedy Parents and the Ken Russell film The Lair Of The White Worm.  Both were hotly requested titles for years and ones that most people just sort […]

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God Told Me To (Blu-ray Review)

This is the critically acclaimed cult classic written, produced and directed by Larry Cohen that remains one of the most disturbing and though-provoking horror films of our time: God Told Me To.  Larry Cohen, who got his start being a fine Blaxploitation director (Kicking off Fred Williamson’s era of dominance in Hell Up In Harlem […]

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