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Originally released in America as its translated title, “Hate,” director Mathieu Kassovitz’s brilliant 1995 social thriller, La Haine, has endured for a few reasons. It’s not because of the alarming tone the title implies but because the film is a well-produced commentary on urban riots in France, as well as an engaging character piece, expertly […]
Coming this April: Werckmeister Harmonies, a hypnotic parable of societal collapse from auteur Béla Tarr and codirector-editor Ágnes Hranitzky; I Am Cuba, Mikhail Kalatozov’s dazzling work of radical political cinema; and Dogfight, a bittersweet tale of love and war in the 1960s, directed by Nancy Savoca. Plus: La Haine, Mathieu Kassovitz’s gritty landmark of 1990s French cinema, and Picnic at Hanging Rock, Peter Weir’s disquieting […]
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