Archive Page 246
November 14th, 2016 by Brandon Peters
Personally, I’m not familiar with either of these going in, but The TAMI Show and The Big TNT Show sound like they were a big step and sort of monumental in terms of the concert film. Both movies are just some concerts with big names, but it was something of an event, lots of player, lots of hit singles. Shout Factory is using its Shout Select label to bring this film and its sister film, The Big TNT Show to Blu-ray for the very first time. Mastered from a new High-Definition transfer, The T.A.M.I. Show / The Big T.N.T. Show Collector’s Edition brings both of these history-making films to life in a definitive set that no fan or scholar of rock and soul music will want to be without. It will be available December 2nd! Continue reading ‘TAMI Show / The Big TNT Show Double Feature – Collector’s Edition (Blu-ray Review)’
November 14th, 2016 by Brandon Peters
William Friedkin suffered the same kind of fate many of his 1970s breakout director contemporaries did, they started to sort of fall off their super high pedestal in the 1980s. Now, with Friedkin, I think a lot of his work during this time was actually good quality, it just wasn’t catching on or becoming a hit with audiences and/or critics just weren’t ready yet. To Live And Die In LA was seen as a sort of “return” for him as he finally put out a film with both critic and audience approval. He had been on a run of bombs and reviled movies like Sorcerer (Which is a MASTERPIECE) and Cruising (HIGHLY underrated, bold film). This was seen as a return to his roots of sorts, akin to finding himself a new French Connection. It was also the last loudly heralded film of his all the way until Bug and Killer Joe in the more recent years here. Shout Factory is labeling it under its Select series and giving it a Collector’s Edition that builds and improves upon the previous Blu-ray release on November 22nd. Continue reading ‘To Live And Die In LA – Collector’s Edition (Blu-ray Review)’
November 14th, 2016 by Brandon Peters
J’accuse, director Abel Gance’s (Napoleon) indictment of war, is a tale of romance and idealism in the tradition of Tolstoy’s War and Peace and Jean Renoir’s La Grande Illusion. Abel Gance would revisit his 1919 epic J’accuse with the 1938 reimagining, this time with sound and a score by his The Woman Thief collaborator Henri Verdun. Gance’s film stars Victor Francen (A Farewell to Arms) and Jean-Max (Satan’s Paradise), J’accuse features supporting performances by Line Noro (Pépé le Moko), Paul Amiot (Le Cercle Rouge), André Nox (Savage Brigade) and Marie Lou (The Woman Thief). Directed by Abel Gance, J’accuse (which used his epic 1919 silent screen version as a template) is both a stirring indictment of man’s inhumanity to man and an ode to man’s capacity for love and compassion. The film is coming to Blu-ray from Olive Films on November 15th. Continue reading ‘J’accuse (Blu-ray Review)’
November 13th, 2016 by Aaron Neuwirth
It would be interesting to account for the number of big moments found in all of Jim Jarmusch’s films. Paterson is the 12th feature film from the acclaimed indie director and it continues to show Jarmusch’s focus on existential drama, with an absence of much in the way of impactful moments. Give or take some gunfights found in Dead Man or Ghost Dog, the director’s style has always evoked a sense of minimalism. Featuring lead characters and their contemplative sense of self, surrounded by others who are more high energy and loaded with various idiosyncrasies, Paterson finds a way to balance a sense of repetitiveness with what kind of profound discovers can be made from jotting down poetry concerning what life has to offer. The film is slow, long and uneventful. I loved it.
Continue reading ‘AFI Fest 2016: Paterson (Movie Review)’
November 13th, 2016 by Aaron Neuwirth
The Salesman is another signifier of the kind of quality to expect from Iranian writer/director Asghar Farhadi. Sure, many of his films are bound to draw comparison to his acclaimed 2011 masterwork, the Oscar-winning A Separation, but having seen several of Farhadi’s films at this point, it is clear the man knows his way around gripping drama. Working to underplay his skill as a director, his films are not so much about clever cinematic construction (although there’s an argument to make there), as they are a careful examination of pure human response to what regular life brings upon people. Sometimes it can be unfair, sometimes different, but Farhadi’s The Salesman is just another look at what can come from circumstance.
Continue reading ‘AFI Fest 2016: The Salesman (Movie Review)’
November 13th, 2016 by Brandon Peters
Orson Welles is forever known for changing cinema as we know it and crafting a good handful of films that are timeless classics. Time is a kind passage to some classic cinema as well, in that most of his works that were deemed as failures or disappointments are able to be reassessed as time goes by and find a new audience that appreciates or is ready for a film that may have been ahead of its time, or just not quite understood when it was originally released theatrically. Macbeth is one of those for Orson Welles. While not perfect or a forgotten masterpiece (Like Touch of Evil), Welles take on Shakespeare proves to have some strong merit where it had been pretty much panned and even recut at the demand of the studio following its debut in 1948. Luckily here, Olive Films Signature Edition not only has both versions, but a pretty solid package to look back at the film in their latest release which will be streeting Noevember 15th. Continue reading ‘Macbeth – Olive Signature Edition (Blu-ray Review)’
November 13th, 2016 by Brandon Peters
Jim Jarmusch’s Coffee and Cigarettes was a film that came out of making three short films sharing that title. The feature film doesn’t stray too far and really is a series of eleven short films or vignettes. What they all carry in common are the fact that the whole movie is just about different people sitting at a table literally enjoying coffee and cigarettes. The title does not lie. This film received some festival buzz around 2003 when it came out and Jarmusch is a pretty popular (Yet more underground) filmmaker, so yeah, even if this is a Clerks situation, lets bring this sucker to the Blu-ray format. Its coming from the wonderful people over a Olive Films and will be available for purchase (Pre-order now, please) on Tuesday, November 15th. Continue reading ‘Coffee And Cigarettes (Blu-ray Review)’
November 13th, 2016 by Brandon Peters
Olive Signature enters its third month of existence with a continued trend in rebranding and improving upon one of their previous Western genre releases. This will make it four total for the series out of six movies that have gone into the collection so far. November brings us to Hannie Caulder, the Raquel Welch revenge Western from 1971 that also co-starred Robert Culp, Ernest Borgnine and Christopher Lee (His only appearance in a Western). The Burt Kennedy film now comes with some new interviews, a commentary and the nice packaging with the little booklet that these Signature Editions are known to have. Its also got a new look image and audio track as well. This film, along with Orson Welles MacBeth, will be available on Tuesday, November 15th. Continue reading ‘Hannie Caulder – Olive Signature Edition (Blu-ray Review)’
November 12th, 2016 by Aaron Neuwirth
Miss Sloane is the kind of film that can be championed, but called into question at the same time. On the whole, the film is a well-acted political drama that leans heavy on some pulp qualities. The film does away with overt statements arguing for specific causes, with the exception of calling out accountability and making a case for women in positions of power, who can be just as cold and calculating as men. That is still the kind of film that is not seen all that much and Miss Sloane does what it can to make its case, while providing some entertaining twists and turns along the way. I only wish the film was as smart as it thinks it is.
s Continue reading ‘AFI Fest 2016: Miss Sloane (Movie Review)’
November 12th, 2016 by Brandon Peters
There’s that sigh of relief from fellow Trek fans, as there’s a sort of gamble that paid off. Previously, Star Trek: The Animated Series was only available in the 50th Anniversary box set that came out back in September from Paramount. As a matter of fact, aside from having everything from the original crew in one nice package, the only new draw to it was the Blu-ray deubt of the 1970s animated series. Most of us assumed it would receive its own standalone release down the line. Surprisingly, we only had to wait just a a little over two months to find out our hold out was worth is. It now comes in a nice little 3-disc set of its own with some limited edition small art prints that are posters for episodes and all the bonus material featured on the previous DVD release of the short lived extension. You’ll be able to pick this one up for purchase on November 15th. Rejoice! Your Blu-ray collection of Star Trek (Original Crew) is complete! Continue reading ‘Star Trek: The Animated Series (Blu-ray Review)’
November 12th, 2016 by Aaron Neuwirth
It takes a lot to make a dramatic feature, based on a true story, into something that hits in the right ways. Because a drama can have the intent to strike at certain chords to ideally generate emotions, there is often a level of manipulation to consider. Lion concerns the story of a lost Indian boy, who loses his family, gains another and then searches to find what he has lost. That is the sketch of a tale that will likely draw up various emotions, but the key is to earn it. The film’s success largely revolves around how it carefully navigates this story’s big moments that go from a more visceral adventure to a cerebral study of loss. It pays off big, as the film is quite the effective drama.
Continue reading ‘AFI Fest 2016: Lion (Movie Review)’
November 11th, 2016 by Jason Coleman
This week sees the continuation of the guilt ridden purge of questionable cinematic outings by yours truly in an attempt to enlighten and embarrass equally – welcome to Forgotten Friday Flick! For those who are old school board game junkies like me, the guilty pleasure selection below won’t come as a complete shock. (For the rest of you I feel your crappy movie pitchforks at the ready!) Combining the basic elements of an old Hasbro game in some creative and clever ways and matching it with some stylish direction, kick ass music and a little alien invasion scenario to boot, this is one big budget flop that I simply (and previously silently!) adore. Place your ships, grab your pegs and get ready to hit or miss with my shameful fav…Battleship!
Continue reading ‘Forgotten Friday Flick – “Battleship”’
November 11th, 2016 by Brian White
Sausage Party, which sort of made its premiere at SXSW this year, is one film I purposely missed out on theatrically this year. I know I’m not alone in my way of thinking. The overall consensus is very split on this one too. Either people seem to love it or others outright hate it like our boy Bron Anderson here. I have not heard anyone say they are in the middle of the road in regards to Sausage Party. Nevertheless here it is ladies and gentlemen. From the team that brought you Superbad, Pineapple Express, This is the End and Neighbors comes the highest grossing R-rated animated film of all-time, Sausage Party, now on the next-generation 4K Ultra HD format courtesy of Sony Pictures Home Entertainment. So what the hell is it all about? That’s the question of the hour and I’m not sure you’re going to like what I have to say about it all. Follow me down folks. Continue reading ‘Sausage Party (4K UHD Blu-ray Review)’
November 11th, 2016 by Brandon Peters
Deliver a bundle of family entertainment when “Storks” arrives onto Ultra HD Blu-ray, Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD and Digital HD. The animated adventure “Storks” stars Andy Samberg (“Cloudy with a Chance of Meatballs,” “Hotel Transylvania”), Katie Crown (“Clarence”), Kelsey Grammer (“Toy Story 2,” “The Simpsons”), Jennifer Aniston (“We’re the Millers,” “Horrible Bosses”), Ty Burrell (“Finding Dory,” “Modern Family”), Keegan-Michael Key (“The Angry Birds Movie,” “Keanu,” “Key & Peele”), Jordan Peele (“Keanu,” “Key & Peele”) and Danny Trejo (“The Book of Life,” “Muppets Most Wanted”).
Continue reading ‘STORKS On 4K UHD Blu-ray December 20th!’
November 11th, 2016 by Aaron Neuwirth
Looking at the documentary Mifune: The Last Samurai, I am reminded of Gimme Danger, the Jim Jarmusch documentary about Iggy & The Stooges, which I didn’t get around to reviewing. That film and this one, which details the life legendary actor Toshiro Mifune, have little to offer outside of an engaging, cinematic version of Wikipedia research, but there is plenty to enjoy. For Mifune, there is a bonus that comes in the form of hearing Spielberg and Scorsese share their insight, in addition to many others. Various clips and archival footage make a good case for why the actor deserves all his acclaim as well, regardless of whether this doc has any other impact outside its key subject.
a Continue reading ‘AFI Fest 2016: Mifune: The Last Samurai (Movie Review)’
November 11th, 2016 by Brandon Peters
As most probably expected, Finding Dory became the year’s biggest film this summer. Following one of Disney/Pixar’s most successful, beloved and heralded films of all time was sort of a no-brainer in the wondering of who’s going to go see it. This time they would focus on the fish with the short term memory loss, Dory, who was voiced by Ellen Degeneres. The whole crew from the first film returns for this adventures as well as adding in some new friends voiced by character acting favorites. I recently covered the digital release for the film, this is the one that covers the Blu-ray release (Which indeed includes the digital version as a bonus as well as the DVD edition of the film). Its coming November 15th, so there’s still time to get your pre-order in and have it waiting for you on release day. Continue reading ‘Finding Dory (Blu-ray Review)’
November 11th, 2016 by Aaron Neuwirth
It is pretty fitting to see this year’s AFI Fest kick off with a film that tells the story of maverick filmmaker and business tycoon Howard Hughes. Produced, written and directed by Warren Beatty, nearly twenty years after his last directorial effort, Bulworth, the film serves as a semi-fictional biopic, a screwball comedy and a drama all rolled into one. Coming from an idea Beatty started developing 40 years ago, the film is a clear passion project and despite all the various issues involving tone and narrative construction, I dug it. Beatty and his four editors have assembled a messy film out of what is likely a ton of footage, but it was never uninteresting, features some terrific performances and even buries some interesting themes amidst all the Hughes-focused chaos.
Continue reading ‘AFI Fest 2016: Rules Don’t Apply (Movie Review)’
November 10th, 2016 by Jason Coleman
A fewer array of indies dissected as end of year mandatory viewing duties begin to take hold of my precious movie watching schedule (so many films, so little time!), but there are some surprises here nevertheless. Tales involving deadly relationship intrigue, a hot widow who gets her dates via the occult, an examination of the true meaning of what constitutes a monster and courage in the face of shark attack on the high seas make up the movies examined this week. Check out the Encapsulated Movie Reviews of Come And Find Me, The Love Witch, The Monster and USS Indianapolis: Men Of Courage below!
Continue reading ‘Encapsulated Movie Reviews – Four New Indie Titles’