The Snow Woman (Blu-ray Review)
August 14th, 2025 by Gerard Iribe
The Snow Woman (1968) Blu-ray review from Radiance Films brings Tokuzo Tanaka’s haunting vision to high definition. Set against icy landscapes and steeped in Japanese folklore, this atmospheric tale blends romance, mystery, and the supernatural. With a hypnotic score by Akira Ifukube, the film envelops viewers in a world where beauty and danger walk side by side. Radiance’s new restoration captures the film’s chilling elegance, making it an essential pick for fans of classic Japanese ghost stories and world cinema. Continue reading ‘The Snow Woman (Blu-ray Review)’
Sometimes a sequel shows up years later and feels like a cheap cash-in. Other times, it picks up right where things left off and runs with it. The Accountant 2 does a bit of both—keeping the quiet intensity and precision gunfights from the first film, but also opening up Christian Wolff in ways that make him more relatable than ever. It’s bigger, faster, and a lot more personal, swapping some of the slow-burn mystery for heart, humor, and some genuinely touching moments.
Death of a Unicorn is not a movie you walk into lightly. Even for A24, the reigning studio of oddball indies and arthouse fever dreams, this one is strange in a way that feels oddly personal. The film opens with a literal unicorn—yes, an actual mythological beast—being accidentally run over by a father and daughter driving through the woods. That’s the setup. From there, things unravel into a surreal mix of corporate satire, environmental horror, and deeply awkward family drama. Somehow, it all holds together—barely—but you can’t say it isn’t original.
When Strangers with Candy hit theaters in 2005, it was already something of a niche project. Based on the cult Comedy Central series of the same name, the film serves as a prequel to the show and follows Jerri Blank (Amy Sedaris), a 46-year-old ex-junkie and ex-con who decides to restart her life by going back to high school. If that setup sounds absurd, that’s the point—and the tone.
After more than a decade in the coffin, the popular horror series is officially back—and Final Destination: Bloodlines makes it clear this franchise still has some life left in it. Or, more accurately, some very creative ways to take life away. Directed by Zach Lipovsky and Adam Stein, this sixth entry doesn’t just pick up where things left off—it digs into the past to reframe everything we thought we knew. It’s the rare legacy horror sequel that feels both nostalgic and unexpectedly ambitious.
Ray Mendoza and Alex Garland team up for Warfare, the 2025 A24 war film that might be one of the most intense cinematic experiences of the year—and also one of the most divisive. It’s visceral, grim, and deeply committed to realism, but it also stumbles into its own ambition more than once. This is not your standard war movie, and that’s both its strength and its weakness.
Alfred Hitchcock is a name that’s synonymous with suspense and thrills. The twisted humor and macabre moments are icons of the genres of mystery and thriller are fantastic pieces in the storied halls of cinema. As the 50’s evolved into the 60’s, Hitchcock films got more grand and in the Mid-50’s with Vistavision, those films were huge scale and marvelous. Take To Catch A Thief for example! Now entering its 70th year, the film is now available in a limited edition steelbook, with its previously released 4K disc! The lush film has never looked better and the steelbook is a perfect compliment.
When Master and Commander: The Far Side of the World hit theaters in 2002, it was something of a quiet giant. It didn’t explode at the box office in the way a $150 million film typically aims to, but those who saw it immediately recognized its depth, sophistication, and attention to detail. Peter Weir’s film was a critical darling, earning 10 Oscar nominations and winning two, including Best Cinematography and Best Sound Editing. Still, it was often labeled “slow” by general audiences who were perhaps expecting something closer to Pirates of the Caribbean, which had launched around the same time. What they got instead was a meticulously crafted historical drama about leadership, loyalty, and life aboard a Royal Navy ship in the Napoleonic Wars.
With Thunderbolts*, Marvel Studios dives into murkier moral waters than its usual superhero fare, offering a gritty, character-driven ensemble piece that feels like The Suicide Squad filtered through the MCU’s polished lens. Directed by Jake Schreier (Robot & Frank), this 2025 entry trades in the multiverse madness and cosmic chaos for something more grounded, if not always more cohesive. The result is an intriguing, uneven, but ultimately worthwhile addition to Marvel’s ever-expanding world.
Benicio del Toro in a Wes Anderson movie is already something to see. Now picture him as a ruthless billionaire named “Zsa-zsa,” dodging assassins in silk pajamas and barking orders from a bulletproof gondola.
A Snapshot of 1998: The Year of Wild Ideas – The late ’90s were a strange and wonderful time for movies. It was the same summer that gave us Armageddon, The Truman Show, Saving Private Ryan, and Rush Hour. The box office was saturated with big-budget spectacle, disaster epics, and high-concept comedies. Nestled among these blockbusters was a modest, curious entry from director Joe Dante: Small Soldiers, a film that felt like it straddled the line between Toy Story and Terminator. Though it received a mixed reception upon release, Small Soldiers has since carved out a niche as a cult favorite, especially among those who were kids during its original run.
Clueless, 30 years after its release, plays like a full-on ’90s nostalgia bomb. Irreverent, sweet, and deceptively smart, this comedy remains just as sharp and funny as ever. The cast is stacked with familiar faces—some we still see today, some we wish we saw more of, and maybe even one or two we wouldn’t mind seeing less. But at the center of it all is Alicia Silverstone, who skyrocketed from ingénue to movie star, playing Cher like a modern-day Emma Woodhouse from Jane Austen’s classic novel. She’s brighter than she lets on, and she’s got style—for herself and for everyone around her. As we stroll down memory lane, we’re revisiting one of the best comedies of the 1990s—a film that made critics swoon and ignited the box office in an era when an original teen comedy could still become a cultural event.
