Tag Archive for 'Elle Fanning'
January 26th, 2017 by Brandon Peters
Golden Globe® winner Annette Bening (The Kids Are All Right, Being Julia) stars in the transformative and insightful film, 20th Century Women, arriving on Blu-ray™ (plus Digital HD) and DVD March 28 from Lionsgate. Oscar®-nominated for Best Original Screenplay and nominated for two Golden Globes® (Best Motion Picture – Musical or Comedy and Best Actress […]
December 28th, 2016 by Brandon Peters
As always when I do these “Best” lists, I ask two things of you, the reader. Take the words best or top and replace it with “favorite”. And importantly, number or ranking doesn’t matter, what is included does. 2016 was an interesting year for me, in that I feel a hair underqualified, but still, this […]
October 3rd, 2016 by Brandon Peters
Nicolas Winding Refn is one of the most visionary and abstract directors we have in the current mold. He’s a filmmaker whose films will probably age a lot better in critical circles than they are received in present day. They polarize and split audiences. His films feature an equal amount of boos and standing ovations […]
August 16th, 2016 by Blu-ray Brian
Amazon Studio’s The Neon Demon directed by Nicolas Winding Refn, is a sumptuous horror-thriller, set in the highly competitive and often vicious world of fashion modeling, where the term “eat their own” takes on a decidedly new meaning. When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group […]
June 24th, 2016 by Jason Coleman
For my first film reviews here at the amazing Why So Blu it felt right to hit the movie review ground running, so I’m going to examine a colossal six indie films (I try to see EVERYTHING for the fans!) that are hitting select theaters, digital formats and the like all this Friday. So take […]
October 26th, 2014 by Brandon Peters
Disney’s Maleficent was not only one of the biggest hits of summer, its one of the biggest movies of the the 2014 cinema-going year. The film has grossed over $241 million just domestically and dominated worldwide taking in over $757 million. Its another instance in helping prove that female-led and driven blockbusters should be more […]
September 24th, 2014 by Aaron Neuwirth
It is one thing to put out a film that is a film that shows off the hundreds of hours of work that went into crafting a wholly unique world and set of characters, but it is another thing to merge that craftsmanship with a wonderful story about identity and societal roles of all things. […]
May 29th, 2014 by Aaron Neuwirth
On the surface, placing audiences inside the head of one of the more memorable Disney villains of all time seems like a pretty interesting idea. Add to that a casting choice that has rarely seemed any less perfect and you have a high concept Disney film with built in appeal from multiple standpoints. I only […]
January 26th, 2014 by Aaron Neuwirth
There is a lot of anticipation building for Maleficent, the live-action take on the Sleeping Beauty story, told from the perspective of it’s infamous villain. I have liked what I have seen so far and now there is a new trailer, with a nice addition that seems quite fitting for the vibe of the film. Here’s […]
November 13th, 2013 by Aaron Neuwirth
I have been posting a lot of superhero trailers lately, so this is a nice change in pace. Next summer sees the release of Maleficent, a live-action take on the Sleeping Beauty story, with more of a focus on its iconic villain, Maleficent, now played by Angelina Jolie. In this post is the first official […]
September 2nd, 2013 by Aaron Neuwirth
Those who have wanted legendary director Frances Ford Coppola to return to horror after bringing audiences Bram Stoker’s Dracula way back in the early 90s, may have deep regrets after seeing Twixt. This experimental horror film from Coppola is misguided in almost every way, regardless of its campy intentions. For those who tend to enjoy […]
June 24th, 2013 by Aaron Neuwirth
This should be interesting. I have been hearing about Francis Ford Coppola’s latest experimental film Twixt for quite some time. It was taken on the road and made out to be an interactive film experience, complete with 3D, a mix of color and black and white imagery, and various means to keep the audience very […]
April 19th, 2012 by Aaron Neuwirth
We Bought a Zoo is a movie made to make you feel good. There is no other way around that. It features nice performances, a nice score, stakes that are enough to keep you involved, but never to really put you in a tense place, and an overall sweetness that is enough to make your […]
December 23rd, 2011 by Aaron Neuwirth
We Bought a Zoo is a movie made to make you feel good. There is no other way around that. It features nice performances, a nice score, stakes that are enough to keep you involved, but never to really put you in a tense place, and an overall sweetness that is enough to make your […]
November 21st, 2011 by Gerard Iribe
That high flying duo known as J.J. Abrams and some guy named Steven Spielberg are back with their latest coming-of-age/science fiction story in Super 8. The trailers and promotional material did absolutely nothing to quench the thirst of the uber geeky. All we saw was a bunch of kids making a super 8 film, a […]
June 11th, 2011 by Aaron Neuwirth
Before the J.J. Abrams directed film, Super 8, begins, the film is stamped with the Amblin production logo. Amblin is a production company created by Steven Spielberg back in 1981. When that logo began to appear on the outset of not only Spielberg films, but films directed by other filmmakers he had influenced, it would […]
June 10th, 2011 by Jonathan Koenig
This is going to be mostly a stream of consciousness so hold on tight. Sometimes I’ll talk with big words like I’m pretending to be smart and other times I will speak with the verbal acuity of a middle school child. So let’s do this! Super 8 is one of the most original movies I […]
January 10th, 2011 by Aaron Neuwirth
Recommending a film like writer/director Sofia Coppola’s latest feature, Somewhere, comes with a certain kind of note: as a person well traveled in various types of theatrical features, I found a lot to appreciate in this film; however, the way that it has been assembled and what it has to offer will most likely appeal more to those with a slant towards arthouse-type cinema and more obscure features. I am not a fan of so specifically dropping a film into a certain category and only recommending certain people to see it, but that being said, if you know about this film already or are familiar with Coppola’s previous work, you probably know what you would be getting yourself into.